Saturday, February 19, 2011

Patrice O'Neal On Leaving Boston, Plus A Preview of Tonight's Elephant In the Room Special On Comedy Central

When I first spoke with Patrice O’Neal in 2001, he was already in New York, already drawing attention at the Just For Laughs Festival in Montreal, on his way to better things. His first one-hour stand-up special, Elephant In the Room, debuts tonight on Comedy Central. O’Neal started out in Boston. He grew up on Dorchester and moved to Roxbury when he was 17, and threw himself into stand-up after heckling an act at a club called Estelle’s. He thought he was funnier than the comic onstage at the time. So, unlike most hecklers, he got up and proved it.

O’Neal didn’t leave Boston happy. He got to a certain level as a middle act, and then couldn’t break through the headlining scene and had to leave. A lot of comics from Boston have faced that dilemma. But O’Neal went on a local radio program and spewed a lot of venom at club owners. The way he describes it, he “pretty much had a falling out with everybody in Boston.”

“I officially walked over and tore the paper bridge with lighter fluid and lava shoes,” he told me in 2002, for a story for the Boston Globe. “I’ve had a chance to make amends with certain people. It was just a young black dude lashing out at what he thought was an old white dude thing.”

The scene has changed in Boston since O’Neal left. There is more diversity, there are more women and more minorities in the scene making a name for themselves. Probably still room for improvement, but it seems a vast improvement from O’Neal’s days.

“In Boston, there’s one black or two blacks,” he told me. “There’s always ‘the black guy at the time.’ Jimmy Smith was the black guy, and then Carl Yard and Gerald Bennett was the black guy. I came along, I was the black guy. And then after I left, Dwayne Perkins was the black guy.”

O’Neal told me that he loved Boston. He didn’t want to leave his mother and his girlfriend, but when he left, he felt he was pushed. In a sense, that was probably true, but it was the same for Eugene Mirman, Brendon Small, or any number of comics who had to leave to find a bigger stage. If you’re looking to get the attention from TV or film, the opportunities are few in Boston.

Now O’Neal is a headliner with his own TV special, and by 2002, he had also changed his attitude toward his Boston exit. “I outgrew that whole anger thing,” he said then. “I felt like I was thrown out of Boston. I don’t think that anymore. It was the best thing that could have happened to me. It wasn’t a conspiracy.”

[NOTE: I’ll be addressing the question of why comics leave Boston in a story next month, after the redesign is launched on March 1.]

Onstage and off, O’Neal is gruff and direct. Which is why he has been a favorite on the Opie and Anthony show on satellite radio. He makes no excuses for his point of view. “I have a very misogynistic viewpoint on life,” he told me in 2006. “Somebody has to.”

“On regular radio, it’s so inhibited, you can’t be honest at all,” he said then. “Fuck the swearing, just honesty in general is hard. You’re offending everybody. But cable radio, people are paying for it. You can do anything you want.”

O’Neal likes to use profanity (“Sometimes a good well-placed swear expresses it for you,” he said), he is sarcastic and off the cuff, and he clearly enjoys making people uncomfortable. That applies to O’Neal the comic and O’Neal the person, and it’s what you’ll get if you tune in tonight.

“I’d rather be sarcastic than to just sit around and talk about my favorite cheese, you know?”

Here’s a preview of Elephant In the Room (Comedy Central, 10PM).
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Wednesday, February 16, 2011

Comedy Studio’s Comic In Residence Interview - Alana Eisner

Alana Eisner - Comedy Studio
Comic In Residence for February
Every month, The Comedy Studio features one comic on every show. And each month, the Boston Comedy Blog interviews that person. For February, it’s Alana Eisner. Eisner started comedy while a student at SUNY Albany, and moved to Boston in 2008 in part because she heard it was a good comedy scene in which to develop. That, and her sister is in Boston. Since then, she has become more dedicated to her craft. “Comedy didn't start out as my main objective, but it is now,” she says. “I can't picture myself doing anything else.”

When did you start doing comedy?

I started doing comedy about four years ago. I started out towards the end of college in Albany so I didn't get to go on stage very often in the beginning.

How often have you played the Studio?

I probably played the Studio about 50 times before this month.

What other clubs do you play?

I perform at Anderson comedy shows such as the GAS shows at Great Scott, Grandma's Basement shows, Mottley's at times. I still do a lot of open mics.



What local comedians have influenced you?

There are a lot of great comics in Boston that have influenced me. Jenny Zigrino is a close friend and great talent. Rick Jenkins and Rob Crean are both strong performers and have helped me develop my act with providing helpful insight as well as stage time. Other local Comics I admire include Josh Gondelman, Shawn Donovan, Bethany Van Delft, Tim McIntire and Dan Boulger.

What's the average number of gigs you've played in a month before this?

About 6-8 shows a month. I still go to open mics and make sure to get on stage at least four times a week.

How will you approach your time -- work on new stuff, refine older stuff, or a mix of both?

A mixture of both, I have been writing more lately, so I would like to work on new material during the weekday shows.

What do you expect to have gotten out of the experience when the month is over?

I have already gotten a lot out of this month. This opportunity rekindled my comic momentum. I hope to work on my writing and strengthen new material. I would like to try out different openers and closers as well work on material that involve more storytelling. Other than that enjoy this wonderful opportunity and interacting with the other comics.

Monday, February 14, 2011

Gallery: Barry Tattle's (And Chris Coxen's) Farewell Show

The crowd got a free autographed
Chris Coxen headshot.
Chris Coxen and Barry Tattle went out with a memorable farewell show Saturday at Mottley’s. The show was Coxen’s last before he and his cast of characters leave for London this Wednesday, and included many old friends. Gary Gulman, Niki Luparelli, Jon Lincoln, Josh Gondelman, Shawn Donovan, Lamont Price, and Coxen’s old sketch partner, Nate Johnson all turned in great performances. The Grown Up Noise provides musical accompaniment.

It was a lot of fun to see Coxen and Johnson again, whether they were harassing Mottley’s owner Lincoln as bicycle cops or playing, respectively, a thunder salesman and a hurricane salesman. Tattle crooned to the crowd (it was his Valentine’s Day Surprise, officially), and sang a duet of “Up Where We Belong” that included a remarkable accurate eagle impression from Luparelli.

Since it was his farewell show, Tattle also gave out prizes gathered from cleaning out his apartment, including a tube of shower calk and a nacho plate shaped like a cowboy hat. Shamefully, the person who won the VHS Biography channel special on JFK, JR left their prize on the table after they left.

The biggest surprise of the night happened in the middle of Tattle’s rendition of “Single Ladies,” when water started dripping, and then outright spouting on the band. The dripping spread along different parts of the ceiling, forcing the crowd to rearrange. Apparently, a sink at the upstairs bar had overflowed while non of the bartenders were watching.

No one died, though, and the added dampness couldn’t ruin the show. Here are a few photos from the evening.

Barry Tattle gets sensual to open the show.
Gary Gulman praises legend Tattle.
Jon Lincoln's set interrupted by bike cops.
A blurry Josh Gondelman (he is much easier to see in person).
Tattle and Luparelli on "Up Where We Belong."
This is what a thunder salesman looks like.


A hurricane salesman and a thunder salesman.

A hurricane in motion.


Shawn Donovan speaks of his anti-Semitic haircut.
Grownup Noise - band in the shadows.
Fixing a hole where the rain came in.
Mopping up.
Sex ed with the wrestling coach.
Lamont Price in his "civil rights glasses."
The elusive Chris Coxen.
The nacho hat prize left. The VHS tape lingered.

Friday, February 11, 2011

North of Boston: Mike McDonald Presents His Tenth Annual Comedy XXtravaganza For Charity in Portsmouth

If you happen to be in north of Boston or in the New Hampshire area Saturday, Mike McDonald had put together a great show at The Music Hall in Portsmouth. It’s his Tenth Annual Comedy XXtravaganza, and McDonald will be performing along with Ken Rogerson, Joe Wong, Matt D., and Christine Hurley, plus music from The Boston Naturals.

“I started doing it cause I wanted a theater setting for great comics to interact with a great audience,” says McDonald.

It’s an interesting mix of younger comics and veteran talent. So how did he choose the comics, I asked? “I needed a Chinese guy, a chick, a kid who’s never gotten laid, and a guy in recovery,” says McDonald. “Well. Actually I picked these comics cause they can all throw heat.”

The shows, as usual, will benefit charities, this time the Green Alliance and the Seacoast Food Pantry. “We hook up with some local charities every year to give something back from the show to the Seacoast,” says McDonald. “It’s tough out there and anything we can do to raise a little awareness. I picked [the charities] with my co-producer who lives in Portsmouth. I’d look over the cause and the website and if I was onboard with what they do, we go with them.”

Click here for tickets.

*UPDATE* Potylo To Join Jennifer Coolidge At the Wilbur Saturday

Jennifer Coolidge and
Rob Potylo
First, the Wilbur Theatre published a photo of Rob Potlyo and tomorrow’s headliner, Jennifer Coolidge, with the teaser, “What is Jennifer Coolidge & Quiet Desperation's Rob Potylo cooking up for tomorrow's Wilbur show?”

Then Potylo posted this on his own Facebook site: “Lovely evening. TTs was an epic show! But before that Jennifer Coolidge (Best In Show, American Pie, Legally Blonde) came over to the ole' Allston crib to go over some tunes I'm playing with her show at her Wilbur Saturday night.... And even grabbed a Clif Bar. We had some sick vocals cooking. Wish I cleaned the room a little bit better.”

When I reached Potylo to see what was up, he said only, “Looking to sing happy birthday.”

What, exactly, is going to happen? I couldn't say, but it will involve music, and hopefully, we'll see this end up on Potylo's Quiet Desperation on MyTV.

Coolidge was born in Boston and spent her early years in Norwell. After establishing herself as a popular character actor, she has been trying her hand at stand-up. Here are a few thoughts on her last performance in Boston from Brian Joyce.

UPDATE I got a little more info on how this came together from Potylo this afternoon. "I did the wilbur opening for Jon Lajoie last year and crushed, left an impression," he says. "She needs someone to sing happy birthday to her dad. They called yesterday and asked if I was interested and I spoke with her. She came over. I also told her about Quiet D and we could be filming shit with her too."

Thursday, February 10, 2011

Chris Coxen Says Farewell To Boston - VIDEO


Barry Tattle
 By this time next week, Chris Coxen and his League of Characters will have left Boston for London, where he plans to spend at least a year working the clubs and seeking fortune, fame, and sensuality. Before then, he'll be at Mottley's Comedy Club Friday and Saturday for a pair of farewell shows -- Barry Tattle's Valentine's Day Surprise.

Here is Coxen at Mottley's talking about the shows and the big move. Stick around for a special message from Barry Tattle at the end.

Tuesday, February 8, 2011

DVD Release: Bruce Bruce - Losin' It! Live In Boston

Bruce Bruce originally came up through the Atlanta scene, but he chose to film his latest special here in Boston, at the Wilbur Theatre. It's called Losin' It! Live In Boston, and it's out today on DVD with bonus footage and an interview. You may even get to see yourself in the audience.

Newbury Comics might be your best bet for finding it without ordering online. A lot of other stores seem to have cut back on orders like this, but Newbury tends stock more stand-up specials, especially when they're new.

Here's a look. First clip is SFW, second clip, NSFW.

"Eating Like A Cow" and "Words"

"What's Sexy To A Man"

Thursday, February 3, 2011

New Boston Comedy Redesign Hits March 1


Greetings, Boston comedy fans. You may have noticed the site has been a little light lately. I have not been ignoring it. I have been working on a redesign that will include some new features, a cleaner look, and a slight change in philosophy.

For day to day users, there will be more immediate and useful features. For longtime fans, the print interviews, videos, and news will remain, combined with something a bit more personal and opinionated.

This site will continue to grow and change as long as I am writing it. I will always be looking for ways to improve. If there's anything you'd like to see, feel free to drop me a line.


I will continue to update with some news and an interview or two the rest of the month. So keep checking back, and make sure you're hear March 1 for the new look.

Saturday, January 29, 2011

Greg Fitzsimmons at the Wilbur tonight for the Magners Comedy Festival

Kelly MacFarland's new album
Bombshell.
Last night Kelly MacFarland packed Mottley's for her CD release show as part of the Magners Comedy Festival. The CD is called Bombshell, and it will be released officially on February 8. More on that in a later post.

The Festival is in its second year, and has expanded to moe clubs, and even to the Wilbur. Tonight, Greg Fitzsimmons returns to Boston for an early show at the Wilbur. If you want to know a bit more about Fitzsimmons, his time in Boston, and his new book, read my interview with him from late last year.

Wednesday, January 12, 2011

*UPDATE* Clubs Tonight -- What's closed and what's still open

As we dig out from the snow still coming down in some places, a number of schools and businesses are closed. There are some club cancelations for tonight, but the show goes on for others. Here's what's open and what's closed.

The Burren: Steve Macone will host his regular Wednesday night show in the back room at the Burren tonight. Show starts at 10PM. Admission is free.

The Comedy Studio: Owner Rick Jenkins confirms the club will be open. He will be there, and at least two other comics have confirmed. “We'll be there to do a show if any audience shows up,” he says, “but nobody should take any risks to come in.”

Dick’s Beantown Comedy Vault: Closed tonight. Will be open tomorrow.

Improv Asylum: Closed tonight for a private show. “We'll definitely be open tomorrow night and the rest of the weekend,” says Chet Harding, “previewing our newest mainstage show, Leave it to Bieber, which has a grand opening on January 20.”

*Update* ImprovBoston: Closed tonight.

Mottley’s Comedy Club: Closed tonight.

Sunday, January 9, 2011

On tonight: Louis C.K.'s Hilarious

Hilarious debuts tonight
at 10PM on Comedy Central.
Louis C.K.'s latest stand-up special, Hilarious, makes its Comedy Central debut tonight at 10PM. If you have Epix, you may have seen the special when it aired in September. It also played at the Kendall Square Cinema that month. You may want to wait until Tuesday, though, when Comedy Central releases the full-length, uncensored DVD, and also the CD version.

Hilarious has been well reviewed -- you can read my thoughts here from September -- since its debut at last year's Sundance Festival. And C.K. is already working on the next special, his fourth hour since 2007's Shameless, a breakneck pace by most stand-up standards. He is also now filming for season two of Louie on FX.

Marc Maron and WTF in the NYT

Marc Maron in the New York Times
If one of your New Year's resolutions was to dive into Marc Maron's WTF podcast and you're looking for a primer, the New York Times ran a piece today that will bring you up to date on the show so far. They mention a few of the more high-profile interviews with Robin Williams, Carlos Mencia, and Louis C.K.

You can also go back to my interview with Maron before his show at The Gas this past July to see more of what Maron had to say about WTF, different comedy styles, and his time in Boston.

Friday, January 7, 2011

The Boston Comedy Q&A: Robert Kelly at the Wilbur

Medford native Robert Kelly plays
the Wilbur Saturday night
Medford native Robert Kelly is looking forward to a busy 2011. He’s touring – he plays the Wilbur Saturday night – and working on material for a new one-hour special. He’s amazed to have a book deal with Joe DeRosa and fellow former Boston comic Bill Burr that sprang from a film the trio self-produced called Shooting Angles. They are currently waiting to hear back from several festivals about screenings.

Kelly first came to the attention of national audiences when his buddy, Arlington native Dane Cook, put him on the HBO stand-up series Tourgasm. He’s also been a regular on Opie and Anthony, and played Louis C.K.’s brother on the FX series Louie, which is filming season number two now.

I spoke with him earlier this week by phone.

You’re taping a new one-hour special later this year, I’m assuming what you’re touring with now is the material you’re preparing for that?

Yeah. I’m trying to lock down who I’m going to do it with right now. But yeah, I’m going to be taping an hour special and it’s definitely the material I’ve got now. I’m trying to unload this chunk and get it done with. And then I’m going to do a new album with the special. I’ll be trying to get the album down and the special down in the next few months.

Have you dropped all of the material from the previous album?

Yeah, Just the Tip? I don’t really use that, anything from it anymore. The occasional hell gig, I’ll wail one of those out. Sometimes when you’re doing a hell gig, you can run through an hour’s worth of material in fifteen minutes. Then you look down at your watch and you’re like, aw, Jesus.

How often does that happen for you these days?

Not that often. I’ve been lucky. The last year of shows has been pretty good. It always matters when fans show up, you know? If your fans come to your show, it’s always a good show. If you’re somewhere where they don’t know you’re there or you’re not really popular in or whatever, and people just show up, sometimes it can get a little crazy. But the last year, a lot of fan support has really helped out the gigs.

Are there areas of the country it has been hard to break into?

I don’t know. I kind of did the whole country with Dane on that big tour. I’e been lucky that I kinda was exposed to every state in the union on a massive level. There’s better than others. Boston, Philly, New Jersey, New York, Vegas, those places always show a lot of support. I’ve done shows, especially in Boston and New York, where people are like, “Dude, I’ve seen you six times, every time I bring friends back.” They’ll just keep bringing their friends back to expose them to my comedy.

It’s just crazy, people have seen you six times. And you can tell, too, when you add new stuff to the act they’ll come up and say, “Dude, I love that you added new stuff to the act. I appreciate that.” There are certain guys who can do a new hour every other week, it seems. I can’t really pull that off yet.

Is that something you’re looking to do?

I think you can do it, yeah, but there’s always that fame factor. If Chris Rock comes into the Cellar working on new material, he’s always got that five to ten minutes of, he’s Chris Rock. We’ll let him slide. If I go down there and try new material, if they don’t know who I am, my fans aren’t in there, it’s like, “This guy stinks.”

So I think it’s a mixture of taking some risks, and you’ve also got to have some exposure, too. If people are your fans and they came to see you, and you’re just going off and trying new stuff, I think they appreciate that. But also, when you find your voice as a comic – if you look at all of the greats, they have their own little way of saying things. It’s a tempo that they have. Even a guy like Louis C.K. has his own little tempo, even Dane has his own little tempo, where you can kind of take any topic, throw it in that blender and it comes out the way they talk.

Do you feel you’re there yet? Where do you feel you are in that?

It’s weird. My life has changed so much. I feel like if I stayed on the path I was on, which was a single guy, chicks, rock and roll, I think I might have been there. But I’m married, I fell in love. My life went in a completely different direction. I’m trying to have a kid. I have a mortgage. I went to sleep at 9:30 on New Year’s Eve. My whole perspective of life is going in a different direction, which is new for me. That’s what’s reflected. But it’s also maybe funnier, because it’s more honest. Because I’m not doing comedy to get accolades anymore, I’m just doing comedy because I kind of have to. So I think I’m closer to my voice or the way I do things than I’ve ever been.

If people saw you at the Wilbur last year and they see you this year, are they going to see a marked difference, either in the material or the way you present yourself?

It’s going to be some of the same stuff, but I definitely added a bunch of new chunks. There’s comics that write jokes, where it’s like joke, joke, joke, joke, joke, set up, punch, set up, punch through the whole act. Then there’s guys like me who, you come up with a chunk of material, whether it’s getting fat or being old or going on vacation or getting married or whatever it is. Anywhere from three to ten minutes on the same topic in a chunk of stuff. So there’s definitely new chunks in there. I’ve fine-tuned it a lot. It’s kind of like a one-man show. Not a theme, but more what I’ve been going through for the past two years.

Does the new material and your recent life experience have anything to do with the book deal?

No, that’s just something that came around. Me and a couple of other comics, Joe DeRosa and Bill Burr, we wrote a short movie and produced it ourselves and filmed it ourselves. We entered into some festivals. Somebody heard about the movie and then our managers got involved. We wrote a book proposal, and they loved it. So in the next few months, I’m going to be hunkering down and writing a book. But I really don’t even know what a semi-colon is, so. Honest to god, I don’t know how to spell. I was in juvee hall from 13 to 15, and then I pretty much was in rubber rooms all through high school.

They didn’t have AP English in juvee?

Oh, no. You played volleyball and just didn’t stab each other. I know when somebody’s following me in New York City and I know when to cover my watch on a train. I know a lot of things that people who do know how to spell don’t know. I know secret codes for video games. I know how to jailbreak my iPhone. But I don’t know how to spell. But apparently you don’t need to. [laughs] I know, it makes me sick, there are guys who are just genius fucking writers and beautiful and put words together magically and they’d just love a book deal. And then some bald chunkball asshole from Medford can make something funny and they’re like, “Yeah, let’s do that!”

Is it going to be the same story as the movie?

No, I don’t know if I can talk about it yet. We have a meeting on Monday. But it’s going to be a controversial book. Let’s put it that way. Men are going to love it, and women, some women, are going to haaaate it. I mean, hate it. Put it this way, some of the publishers that wrote back who didn’t want the book were appalled by it. I think one of the words was “disturbed.”

Can you say if it’s fiction or non-fiction?

It’s non-fiction. A how-to book. It’s guys helping guys.

Any word yet on Louie for season two?

No. You know what’s weird, even last year, I know Louis was doing a show and I knew people that were on it already. I never asked to be on it, and I just got a call out of the blue. Small part. His brother. Just one scene, really quick. I was in Hawaii with Dane at the time and I flew back to do it. It cost me money to do Louie.

But you wound up on more episodes.

Yeah. He liked our chemistry. The only reason he wrote me in is because he never had a brother in life, and since it was is show, he was like, I wanted to write a brother in, just to have one. And he liked what we did so he wrote a couple of more episodes and just kept writing shit for us. It was awesome. Worked out for me.

Anything else you want to mention?

I just released my first iPhone app. I believe that the comic Web site, and Facebook, and Twitter, for comics and entertainers is going to be dead. Especially the Web site. Nobody goes to anybody’s Web site anymore.

What does the app do?

It’s just crazy, it does everything. It has all of my tour dates, but instead of, you know like Google Maps with all the pins, it’s my head. You can zoom in and buy tickets from the head. I have my own little Twitter feed right in there. Videos, text, and photos that only go to the app people. It has my podcast up there. A soundboard of all the crazy shit I’ve said over the years.

Thursday, January 6, 2011

Selena Coppock and Leah Dubie bring their hometown Comedy Rivalry to Mottley's tonight


Selena Coppock and Leah Dubie
bring Comedy Rivalry to Mottley's tonight
 Selena Coppock and Leah Dubie are from neighboring towns west of Boston – Weston and Wayland, respectively. Their high schools used to play football every Thanksgiving, and, as Coppock reports, got into the occasional late night scuffle in fast food parking lots. That’s why their show tonight at Mottley’s is called Comedy Rivalry.

Coppock and Dubie didn’t meet until they both moved out of Boston and became regulars on the New York City comedy scene, where they met and discovered their common history. They became good friends, and both come back to play Boston frequently. You can see Coppock’s work on her Web site, and find her “Townie Martian” series on FunnyOrDie.com. Dubie’s work is on her Web site, as well.

I spoke with Coppock by phone earlier this week.

How much rivalry is actually going to be in this show?

We’re actually going to be doing a Weston/Walyand trivia section, so Leah and I are both brushing up on our sort of lame trivia. So there will be a little bit. It’s all in good fun. We are great friends, but we thought it would be a pretty jazzy little hook because we think it’s hilarious that we’re from rival schools.

Did you know each other when you were going to those rival schools?

Actually, no. Leah is class of ’95 and I was ’98, and I don’t think we played any of the same sports. I played field hockey in high school, but I was terrible. Leah played, I think basketball and softball. So we never overlapped. Although she knows some of the older guys for Wayland I used to have crushes on. But we did not know each other in high school, no. We just met on the New York City comedy scene.

Was it a pretty big rivalry between the two schools?

Yes. We’d play every year in Thanksgiving football. And when I was in high school, there was. As corny as it sounds, and it’s so small town, I remember my freshman year there was a huge fistfight behind the all-night Burger King, and it was Weston versus Wayland. And Wayland definitely womped some Weston ass.

They were pretty tight rivals in all sports. When I played field hockey it was always a big game when we played Wayland. And same with basketball and all that stuff. Because I think the towns were so similar, socio-economically and in so many respects. It is a pretty intense rivalry. I know from dating a Wayland guy when I was in high school, it doesn’t make you very popular in Weston.

Where did you and Leah wind up meeting?

We met here in New York a few years ago. We were both doing a pretty crummy show at the Laugh Lounge on the lower east side. And I used to do, I don’t do it to much anymore, but I used to do a joke that alluded to growing up with a bunch of rich kids, and I actually said the name Weston and I heard from the back her somewhat jokingly booing me. But I didn’t even know her so I was kind of like, “What?”

But we ended up talking, and over the years we’ve become great friends. We went out to Fire Island this year for a great gig. And she used to run a show here in New York and I run a show, so we book each other on our shows a lot. It’s been maybe three years since we met, maybe three and a half. She’s awesome. She’s hilarious.

So you never ran in the same circles when you were both doing comedy up here?

No. Leah went to school in New York. She used to watch a lot of comedy when she was younger, she said she used to go to the Comedy Connection all the time. But she didn’t try it until she got to New York, so for the two years that I was doing stand-up in Boston while I was still living there, we never overlapped because she was doing stand-up in New York at the time. Which is good, because, man, my first two years, I was pretty terrible.

But you had a somewhat common language from having seen the scene here in one form or another?

Yeah. When she goes back to Boston to see her parents, she performs at the Studio sometimes, and Mottley’s and stuff. There is definitely a commonality there. It’s fun, too. Sometimes we go to Dunkin’ Donuts together and hang out in Boston.

Is there a version of this show you do in New York or is this only for Boston audiences?

It’s only for Boston audiences. It kind of randomly came to me, and I thought that it would play best in Boston, just so we could do more local stuff and [be more] Boston-specific. Leah and I end up on a lot of shows together in New York, but I think the Weston/Wayland show might be just a specialty for Boston.

For people who may not be familiar with one or the other of you, what can you say they can expect to see?

I think we’re both going to do a fair amount of local stuff, which is always really fun. I am a very high energy, kind of a spaz onstage and talk about everything from ex-boyfriends to pop culture and what’s going on in my life right now, which is all of my friends in the world getting married and having babies and my thoughts on that. And Leah is a hell of a writer. She’s very steady onstage, great energy but great power behind it. Just calm, and she can run the show. Very witty. And then we have Maria Ciampa hosting, who I love. And we’re bringing Garry Hannon, who is also from Massachusetts, and he lives in New York now. He is very fun and silly. I think it’s going to be a great show, start to finish.

Thursday, December 23, 2010

The Boston Comedy Interview: Jimmy Tingle on the top news stories of 2010

Jimmy Tingle at the Regent Theatre
If you want to catch up on the news stories of 2010, you could do worse than going to see Jimmy Tingle’s shows this week and next week at the Regent Theatre in Arlington. Tingle has been delivering his social and political commentary around Boston since the days of the Ding Ho in the 80s, when he transformed himself from a bartender and street performer into a satirist.

We have covered his activities over the summer, graduating with a masters in public administration from the Kennedy School at Harvard. But Tingle is back to performing and stand-up comedy, and will soon be promoting his new documentary, Jimmy Tingle’s American Dream, for which he interviewed, among others, Howard Zinn, Robert Altman, Barry Crimmins, and Sean Hannity.

Tingle is at the Regent tonight, New Year’s Eve, New Year’s Day, and January 2. You can also donate part of your ticket price to charity by tacking on an extra five bucks, which Tingle will match and donate to any one of a list of charities you can find on his site here.

I had a lengthy conversation with Tingle earlier this week on some of the bigger news stories, and his own plans for the coming new year.

How are the shows going at the Regent so far?

Good. I just did one last night. They’re going well. It’s good to be back there. The audiences are great. It’s a lot of fun. We had a lot of fun last night. I’m looking forward to tonight and the rest of this week and then New Year’s Eve. It’s good to just be performing again.

How long had it been? I know you’ve done some stuff over the summer.

Yeah. I did some stuff in Wellfleet over the summer. I’ve been out there. But when I spent the year at school I really didn’t do any public gigs for a year or ten months. A certain thing here and there, a private gig.

Do you feel like there’s been any rust?

No. I wouldn’t say so. I’ve been going to the Hong Kong [The Comedy Studio] a lot. That’s just doing ten minutes. There’s sometimes rust there because you’re just breaking out new stuff all the time, trying to anyway. So that’s probably the bumpiest ones that I have. But when I do these hour or ninety-minute shows or whatever, the bumpiest bits are sandwiched in between other stuff so it doesn’t seem as rusty.

We talked about this over the summer after your graduation. You felt it would affect your comedy to have gotten the degree. How do you find that now that you’ve gone back to gigging and you’ve got a few under your belt?

I think it’s really helped, actually, to get away from something and go back to it. It helps with the writing. Because you’re in school, you’re on deadline, and one thing about comics, most of us are not on deadlines. Unless you’re doing a radio show or a TV show where you’re on deadline that week. But if you’re a freelancer, you have to discipline yourself. I’ve always worked better when there’s a compelling reason to write or to come up with stuff. So I think that the school experience helped with the discipline more than if I hadn’t done it. And also broadened the perspective, so the commentary may become a little more knowledge-based, I think.

Are you writing more now than you did before, do you think?

I don’t know. I think I probably am.

Do you feel there’s more new stuff in this show than there would have been without it?

Oh yeah. Definitely.

I wanted to get your thoughts on a few of the major news stories of the year.

Sure. One of the things is, as we speak, the Senate is debating the START Treaty. A lot of the Republicans, they’re opposing the START Treaty. I heard one of them, I think it was Lindsey Graham, say the holidays is not the time to negotiate the STARTY Treaty. Yes, you don’t want to confuse reducing the threat of nuclear war with the birth of Christ.

They always say, there’s a window of opportunity for bipartisanship, and as soon as Obama starts climbing through the window, they go, “There’s a black guy coming though the window! Shut it!”

What was your take on Don’t Ask, Don’t Tell? Are you surprised that that went through?

I’m not surprised that it went through because in my opinion it’s the right thing to do. But also, it benefits the Republican party, even the moderate Republicans, it benefits them because there’s millions and millions of gay people in the country, and a lot of them are Republicans. The Log Cabin Republicans, for example, support it.

So I’m not surprised that it went through. I think that as time goes on, a lot of the people will probably ashamed of their vote that voted against it. I think ten years from now, we’ll look back after everything settles down and settles in and it shakes out and it’s no big deal, I think the people that voted against it will feel a sense of regret. It’s like voting against the Civil Rights Act of 1964.

It did seem like there was a sudden change in the amount of people who came out supporting the repeal of Don’t Ask Don’t Tell in the past few months. And I don’t know if there was actually a sea change, or if nobody had bothered to talk to these people before.

No, I think the culture has changed. The culture is different than it was fifteen years ago when it first came in. It just has. Dick Cheney supports gay marriage because his daughter’s gay. Ted Olson supports gay marriage. I’m not sure what his motivation is but he’s a pretty heavy-duty Bush supporter, I think he was the Solicitor General under Bush, lost his wife in 9/11 on the plane in Pennsylvania. It’s just a sea change in the country, a cultural change. And it’s reflected with the moderate Republicans. And also it helps them, it helps them with their own constituents, many of whom are gay.

But of course, they always have a caveat. I’ll support it as long as it doesn’t interfere with military preparedness. How is it… “We have to take the hill.” “Yes, Captain, but first, one question – will you marry me?” “Of course I’ll marry you! Burt first, let’s take the hill!”

“It’s the perfect setting.”

Exactly. So you have that, and that’s progress. And I think they’ll probably get the START Treaty through, that’s going to be progress.

What do you think of the nature of bipartisanship in Congress right now? It seems to be one of the nastier times. One side says, we’re just digging in for what we believe in, and the other side will say they’re not compromising.

I think things are going to change after the New Year. We’ll see what happens. Let me just say that.

Do you have a sense of what you think will happen?

Here’s an example – the earmarks. The brouhaha over the earmarks. The people who are opposing the earmarks, let’s just say the economy is not doing as well as everybody hopes it’s going to do. So then you take all of these federal projects out of all these congressional districts around the country. That’s less jobs. It’s less employment. It’s less business activity. It’s not going to be good for people. Yes, you technically save eight billion dollars, but you also lose a lot of economic activity in a lot of congressional districts around the country.

And it might look good on paper to say “no earmarks,” but I think the residual effect of that is, there’s less work, there’s less employment, there’s less growth, there’s less infrastructure repairing and new construction. And I think after a year or two of that if you go to your constituents and say, we’ve reduced the deficit by eight billion dollars, but the bridge or the tunnel or the highway still needs to be repaired, I don’t think that’s a recipe for re-election. I don’t think it’s something that’s going to encourage people to say, yes, we want two more years of this austerity measure in our congressional district.

So I think what may very well happen is that the novelty of less government in congressional districts around the country is going to wear off quickly when the people – the people, not the members of Congress but the people in those districts – have to actually feel the results of having less economic activity in their districts.

There’s also the back and forth about Obama himself. The left feels that he’s compromised too much and the right is trying to say he has not compromised on anything, that he’s too far to the left.

The right’s not going to say anything positive about him at all. That’s their whole strategy, to demonize, demonize, demonize. That’s been their strategy since he got in.

Does that make legitimate criticism of Obama more difficult?

It just makes it harder to discern what is legitimate criticism and what isn’t. If everything with the guy is wrong, then what’s really wrong is not going to be apparent because they don’t like anything. How can you not like the fact that General Motors is on the rebound after the infusing of government money and restructuring. And they paid back most of the money. A major American company is up and running as a result of that particular investment or bailout or whatever you want to call it.

You know what it is? It seems there’s a lack of authenticity and a lack of honesty. And that’s the biggest thing about the bipartisanship. People aren’t intellectually honest. If you have to side with your “quote” side or your team regardless of the weight of the argument, but because your team either put forth that argument or is opposed to that argument because it was put forth or opposed by the other side, then there’s an intellectual dishonesty there.

It does seem that all of that is positioning for the next election. The talk about actually solving problems seems to be secondary to, how do we get elected next time. And that’s probably nor something that’s a huge change from the way it’s always been. But it feels worse now for some reason.

Yeah. I think everybody would say that. From what I’ve read and heard and from what people have said, I think that’s true. But you’re also dealing with 65 new members of Congress coming in for the first time. Many of these people have never held public office. It could be a breath of fresh air. Who knows? So that’s a wild card, as well.

Do you have any official opinion on the Tea Party?

Let’s see what they do. I like the fact that people get involved and get active in their neighborhood and their government, and that they’re active and people are engaged in the political process. I think it’s healthy. I think it’s been a healthy thing, basically, for the country to have more political engagement. We’ll see.

Sometimes I wonder, is it really deficit reduction or is it really stopping Obama, and deficit reduction is another excuse to stop Obama. And also to deny the continued funding of social programs. One of the things about the deficit is, they say the deficit is the number one thing, and you say, do we have money for the hospitals, do we have money for the schools, do we have money for education, do we have money for this and that program, no no no no no because that’ll increase the deficit. That’ll increase the debt. So it can be used as a weapon to squash social programs and social spending that some people don’t like.

What would you say is a legitimate criticism of Obama? Is there anything out there that he deserves to be criticized for?

I think it’s really effective when he’s aggressive, and he think he should have engaged on Fox Television. In the early days, he made a decision not to go on Fox, and I think it was a mistake not to go on Fox. Because he can sit down with Bill O’Reilly one on one, just like he sat down with other people, and he knows the nuances of the policy way better, in my estimation, than any of these commentators who are going to grill him on a policy. I think he would do himself well to dispel their arguments to their face on television. And I think that takes the wind out f their sails. And by not going on there, they have the open field. They can do whatever they want.

And I feel the same way about talk radio. The Democrats… you have to engage your critics. And I think direct engagement earns their respect and I think it also allows your supporters to see you defend your positions. And I think it’s a mistake for the Democrats not to engage on talk radio and not to engage on Fox, given the opportunity to do so. It’s one thing if they don’t invite you. But if they invite you and as a matter of principle because you don’t like what they stand for you don’t go on, I think you’re ceding the territory. And I don’t think it serves a good purpose because it’s just the drumbeat of the message.

If he went on Sean Hannity and talked about being a Marxist, being a socialist, he could just lay out the agenda and explain why it’s not socialism. And Fox could play that a thousand times, and it would sink in that what he’s proposing is not socialism, when you bail out Wall Street. But by not doing it, you cede the territory and it’s wide open. On a whole host of issues, to go on there and sell health care on Fox, or the bailouts, to make your arguments just like you make your arguments on the other stations.

It’s part of a bigger problem of messaging. When he went to the Republican retreat in, I don’t know if it was his first six months, but he was great. They asked him questions and he was able to engage every single question. And he did himself a great service. They never invited him back, but he was dynamite. Because he’s very smart and he’s articulate and he’ sincere and he’s authentic in what he’s trying to do, and he can lay out the argument for the other side to hear. The reason I support Obama and the Democrats is because on most of the issues, they’re right. In my estimation.

So you feel their faults have mainly been strategic ones.

I think the health care thing, the idea that you have to buy insurance, I think is what freaked people out. Because in Massachusetts, it was less of a shock because we went through a debate in the state about it. The legislature, Romney, it was bipartisan. It was a Republican governor and a Democratic legislature that came up with this Massachusetts system where you’re going to cover everybody in the state and everybody has to buy it. But it was debated, it was laid out.

When Obama got there, they were imposing it from the top down on states that had no such debate. So people freaked out because a lot of people don’t have insurance because they can’t afford it. Or they were happy with what they had. It scared people. And not getting a public option led to the next phase of this thing where you have to buy insurance.

But I think he was bending over backwards to accommodate insurance companies and the business community and stay true to free enterprise and not be portrayed as complicit in the “quote” government take-over of health care. And in doing so, he still got slammed on the issue. It didn’t stop them from saying [it was] the government take-over of health care. But they didn’t have the government take over health care that he was paying the price for. He’s paying the price for socialized medicine without the socialized medicine.

Everything seems to be pushing towards presidential electoral politics, as well. What are your feelings on what 2012 might bring?

I don’t think Obama will be challenged as a Democrat, and I think he’s going to be able to, at the end of the year, say listen, we passed health care, we ended Don’t Ask Don’t Tell, we got a START Treaty, we extended the unemployment benefits. So there’s some positive things that he’s done. I don’t think he’s going to be challenged from the left in the party.

And the Republicans, who knows who they’ll put up. I don’t think Sarah Palin is a favorite in the party. She quit halfway through her first term and she does not have the backing of the Republican establishment from what I can see. But she’ll be a factor because they’ve figured out a way to message without actually doing interviews with a lot of people. It’s a form of entertainment. On her reality show, when she said, I’d much rather be up here and out in the wilderness being free than some stuffy old political office in Washington. And you know what, Sarah? Millions of people agree with you. Half of them are in the Republican party.

What about locally? We had an election here that bucked the trend for the rest of the country. What do you think happened there?

The people of Massachusetts, I think most of them like the state of Massachusetts, and although there’s big problems in certain areas of one-party rule, there’s definitely an issue with that, I think most of the people in Massachusetts are Democrats for a reason. And they support the principles of the Democratic party that are more politically progressive than the principles of the Republican party. I think that has a lot to do with it. And also they outnumber the Republicans two to one or three to one.

And we faired well relative to the rest of the country and the economy because of the universities up here. It’s not good when the economy is bad for universities but at least they’re not shutting down and moving. That sustains us through economic hard times, unlike a lot of other places that don’t have that advantage. So our unemployment was less. We actually had more job creation, we’re in the top five states in the country, I believe, since 2008, I think. So we had some things going for us here.

And what will you be up to in 2011?

My film, Jimmy Tingle’s American Dream, is done and I look forward to getting that out there in 2011. It’s a documentary, about 70 minutes long. We’re putting it in film festivals. We’re trying to generate some interest. I’m psyched to get it out this year, and I’m psyched to get around the country and around the world with the film.

What would you say is the synopsis of the film for those who aren’t familiar?

It’s basically the American Dream, what does it mean, seen through my eyes as a comic and an entrepreneur and a business owner who had a theatre. And interviews with other people and their interpretation of the American Dream, focusing on, what is the American Dream, what are the components of it, and what do we stand for as a country, what do we stand for as a people. Obviously there’s humor involved, there are performances involved. And a lot of interviews with a lot of great people.

Wednesday, December 22, 2010

Gary Gulman tops the bill at Steve Macone's Holiday Show and Toy Drive

Gary Gulman at the Burren's
Slightly Better Christmas
Spectacular Wednesday
The usual Wednesday night comedy contest at the Burren is being pre-empted this week for some special guests and a toy drive to benefit the Somerville-based Toys for Local Children. Macone is calling it his "Slightly Better Christmas Spectacular," because "the toys will be helping children have a slightly better Christmas and people can expect, at the very least, the show to be slightly better."

Gary Gulman is dropping in, supporting his new album, All I Want for Chunukah Is Christmas. Also on the bill, Matt D, Rob Crean, Tim Vargulish, Shawn Donovan, Maria Ciampa, Kate Ghiloni, Matt Kona, and Chris Fleming. Josh Gondelman and Zach Sherwin (aka MC Mr Napkins) may also drop by, depending on if they can get to Davis Square from the Wu-Tang show at the Wilbur in time.

Macone says a few more comedians may wind up stopping by last minute. 

Friday, December 17, 2010

Say goodbye to Cheers and Tommy's

The Comedy Club at Cheers has its
last show Saturday with
Steve Sweeney.
If you’re planning on going out to see Steve Sweeney at Cheers Saturday night, you will be witnessing the final evening of comedy at the venue. Jim McCue, co-founder and producer of The Boston Comedy Festival, announced earlier this week on his site and his Facebook page that changes at Cheers itself spelled an end to the club, which opened late last year.

McCue was informed that the Sam’s Café portion of the Faneuil Hall location, where the comedy events were being held, was being closed down and sold. The comedy club had taken a summer hiatus and come back in the fall. McCue did not book for January when he got the news.

“I think if it was meant to be it would have worked out,” says McCue. “We are working on a few new projects and we will now be able to focus more energy on them. It really was fun and helped especially during the festival to have that venue up and running.”

McCue has no immediate plans to open a new club. “Not unless a remarkable opportunity opened it self up to us,” he says. “I will be doing a monthly show at the Ioka Theater in Exeter NH, but that is a simple thing to book.”

Less surprisingly, Tommy’s Comedy Lounge will likely not return. The club also took a summer hiatus after the July death of Frank Ahearn, who ran the club with John Tobin. “I’d love to bring it back, but at this point, probably not,” says Tobin, who also books Nick’s Comedy Stop next door. “Nick’s is proving to be pretty successful for us right now. It’s not where we want it to be yet, but we’re changing the culture.”

There have been talks about bringing it back, but Tobin says the club has no more than “a faint pulse.” He cited Ahearn’s death, the workload at Nick’s, and the scheduling conflicts Tommy’s often had with Blue Man Group, which is run out of the Charles Playhouse. Blue Man has its own theater, but it’s in the same building, which Tobin said affected how Tommy’s operated.

“The short time we were at Tommy’s, I think it was a little over a year, our start time changed three or four times,” he says. “They had us starting shows at 7:30. It’s just too early. There was just no continuity.”

Summer Villains want a zoo for Christmas

I Want A Zoo for Christma
If you're looking for some good-natured musical Christmas cheer, take a look at Summer Villains' "I Want A Zoo for Christmas." The Villains cut a Christmas album with another Boston band, Three Day Threshold, called Christmas + Holiday Songs Volume 1, which you can download from this site. Also on that site is the video in Quicktime for "I Want A Zoo for Christmas," just in case you're reading this in on iPad and you can't use Flash to see the video below.

The video is really well done, and, if you're wondering, suitable for all ages. And if you want to see them perform it live, come out to the Tavern at the End of the World tonight for the Summer Villains Christmas party. I will be there doing a quick guest spot playing my own Christmas song (which is not particularly funny).

Wednesday, December 15, 2010

It's A Red Peters Christmas!

It's A Red Peters' Christmas!
Red Peters wants to make you laugh for the holidays. He’s in the midst of his “18 Days of Christmas,” releasing a Christmas song every day up until Christmas Eve on his Facebook page. There are even more songs on RedPeters.com, where you can hear “Red Peters’ Song Snatch” and his podcasts. And it’s all leading up to the “Red Peters Comedy Music Hour Christmas Special” on December 23 and 24 on Sirius satellite radio, where Peters has his own show on Howard 101.

Peters’ track record with off-color comedy music comes from his work as a commercial music producer – he does a lot of work for big name companies, which is why he works under a pseudonym. He says it was normal to start making fun of the music or substituting profane or vulgar lyrics as soon as a client left a commercial session.

Fifty years ago, songs like those Peters favors were sold as “party records” under the counter along with albums from stand-ups like Belle Barth and Red Foxx. Things loosened up a bit as decades passed, but it was really the advent of satellite radio that allowed Peters to broadcast songs like “Holly Shit, It’s Christmas” and “When I Jerk Off I Think of You.” But Peters is always looking for more avenues like Facebook. “That’s just another way to get them out, because not everyone has Sirius,” he says.

So if you like your holiday cheer a little naughty or blue or profane, Peters is your man. I spoke with the Boston-based musician and host last week about his plans for the holidays.

Do you already have the Christmas specials mapped out or are you still collecting?

I’m still collecting but I have a pretty good idea. I have two shows, two one-hour shows. And I did receive a new song today from a guy. I had a few new ones last week. But really this week I have to shut the door.

You have years of stuff to choose from, you probably have some favorites, as well. What’s the mix of classics to new stuff?

There’s not really a lot of classic stuff. I’ve been doing this for five years – this is my sixth Christmas on Sirius. So if you want to call six years ago classic…

But you’ve been collecting these kinds of songs for longer than you’ve been doing the Sirius show.

More or less. But I was mostly motivated by getting the gig at Sirius. There was really no place to play these six years ago. A lot of them have profanity or extreme… concepts. You know? [laughs]



So what qualifies a song for a Red Peters Christmas special?

I’d say one of the main features is, you have to be able to hear the words. I was listening to this group that sent me some stuff yesterday or the day before called The Dirty Santas. They almost sound like Van Halen, except the words are kind of difficult to hear, although the songs are produced really well. People have to be able to hear the concept right off. I don’t have the luxury of playing them over and over again so people can hear them. So the concept should just pretty much hit you over the head right away. You should be able to hear what it’s all about right off.

Any favorites you want to mention?

Well, of course, all my songs. I like “The Herpes-Infected Elf,” that’s pretty funny, by this kid named Pooch. I like the classic big ones like “Eff Christmas” by Eric Idle. That’s an excellent one. And Nerf Herder, “I Got A Boner for Christmas.” Tiny Tim, of course, “Santa Has the AIDS This Year.” Ever hear that one?

No, I haven’t, actually.

Have you ever seen that kid Jon LaJoie? I like his Christmas song, “Cold Blooded Christmas.” Good story. Pretty funny. He shoots Santa Claus. Somebody comes into his house, he hears a noise, and he blasts him with a shotgun, and he realizes, jeez, you know, I just killed Santa Claus. So he chops him up and burns him in a furnace or something. Then he gets a call the next day from his aunt saying, “Have you seen Uncle Bob? He was dressed up as Santa, he was coming over to your house.”

They are varying degrees of sanity or extreme concept or foul language or silly. Some of them are extreme, some of them are just clever. There’s one that really not that bad, I think they might say “shit” or something, by these guys from Seattle called The Billionaires Club. It’s a song called “Happy Holidays from the Taggarts.” One of the guys in this troupe, his name is Ryan Taggart, and they’re just clever young guys. They do a nice job. And it’s just a song about a cop who has too much eggnog on Christmas eve and he’s called to help somebody, and he accidentally shoots somebody. But it’s meant to be a goofy story.

How about your own songs?

I have “Holy Shit, It’s Christmas.” Last year it went to number 12 in iTunes comedy, and it’s creeping up the charts again. By Christmas, I hope to be in the top ten of comedy. “Holy Shit, It’s Christmas” seems to be one of my most popular songs. My three most popular songs are “How’s Your Whole Family,” which is mild, you know? “When I Jerk Off, I Think of You” – not you personally. That one’s almost up there with “How’s Your Whole Family,” then “Holy Shit, It’s Christmas” does fantastic every year.

Do you mostly go out and find these yourself or do a lot of these come to you?

I’m always looking. I’m always looking for tunes. And people send them to me, too. I interviewed The Billionaires Club because they had another song I played a few years ago called “White Man in America,” which was a pretty funny song. The Christmas songs, I’d say half of them were sent to me and half I find. I clear the “Santa Claus Has the AIDS” by Tiny Tim, I got a license for that. His estate wasn’t even taking advantage of it because it was just some goofy song he sang in his hotel room or something, and it was just out there.

That seemed somewhat out of character for him.

He had a lot of sexual hang-ups. I don’t know if you’ve ever really studied Tiny Tim, but he was impotent, and of course, he was an oddball. His perspective about life, what was real, was way off the charts. He was mental.



How did the song with Margaret Cho come about?

About eight or nine months ago, I just one day, on Facebook, got an e-mail from Margaret. She said that she really enjoys my songs, and coincidentally, her two favorite songs were “How’s Your Whole Family” and “When I Jerk Off I Think of You.” I had played her on my show. I don’t know if you’ve ever seen here live, she’s filthy. In a funny way. She’s a riot. I’ve played some of her bits on my show at different times.

I’ve known her work and I’ve appreciated her work for years. I don’t know if she knew that or not. So we began corresponding back and forth and we were just talking about music because she’s been getting into music lately, and she sings a few songs in her act. I was tempted to say, hey, we should to a duet or collaborate sometime, but I didn’t want to seem too pushy. Sure enough, shortly thereafter, she asked me if I wanted to collaborate with her or do a duet with her sometime. So I said yeah, of course, I’d love to.

I knew she was going to be in P-Town, she goes down there for a few weeks every summer and she performs there. I asked her if she wanted to do “The Christmas Gift,” which is a song that was written by a guy named Dick Shreve. He was a pretty well-known jazz musician during the 50s and 60s in LA. He, like me, as you know, I’m a music producer, besides doing the Red Peters stuff. He did mostly legitimate stuff, but then he started doing this blue, off-color stuff. And he did “The Christmas Gift,” which was a Christmas blow job, and he did “Everybody’s Fucking But Me.”

So I played her the song, I said, do you want to do a duet with me for this, and she said yeah, she loved it. So I got together with Ed Grenga, my co-writer and producer, and we recorded all of the music for “Have A Wonderful Hawaiian Christmas” and the music to “The Christmas Gift,” we put the vocals on both, and all summer, we were building the songs, doing the music for them and adding the background vocals, The Alan Pinchloaf Singers.

We tried to do it when [Cho] was down in P-Town but she got sick and she lost her voice, so she couldn’t do anything. So we had to cancel it the day before the session. The only time we could do it before Christmas would be to record it October 27 or 28. She was in town the 28th to do the Wilbur Theatre. So she flew in a day early. She travels in a tour bus, so the bus picked her up at Logan and took her over to Q Division in Davis Square. All the band record over there.

We met over there out of nowhere. I had never met her before. We had spoken over the phone a bunch of times and e-mailed a lot, texted a lot. We spent two hours or so recording, we did a bunch of different takes. She was a sport, you know what I mean? She had no problem singing about anything.

I’m assuming this is going to be on one or both of the Christmas specials.

Yes, as a matter of fact, it’s the first song of the first special. And then “Holy Shit” is the first song on the second special.

Wednesday, December 8, 2010

Brian Gordon on The Life of Brians exhibit at CinemaSalem

In June, I wrote about Brian Gordon's art exhibition at In A Pig's Eye in Salem. Gordon, who used to be a regular on the Boston comedy scene, has turned his talents to art and to helping kids with autism. And there is a connection between the two, as he points out in this interview. I caught up with Gordon while he was hanging his latest exhibition, The Life of Brians, which will be on display at CinemaSalem through December. The title refers to the fact that Gordon is sharing the exhibit with his fellow artist, and fellow Brian, Brian Donnelly.

You can see the work now, and you can also join the Brians for the official opening/bad sweater party at CinemaSalem on December 16.

Here's Brian explaining some of the pieces and the show.