Showing posts with label boston music. Show all posts
Showing posts with label boston music. Show all posts

Saturday, March 26, 2011

Music: The Grownup Noise CD Release at the Middle East Downstairs

The Grownup Noise celebrate the release
of This Time With Feeling
For almost ten years, guitarist and songwriter Paul Hansen has been playing comedy shows, providing a musical backdrop for sketch and stand-up. He started at ImprovBoston, and got drawn in by The Walsh Brothers’ old Thursday night Great and Secret Shows, one of the most creative and influential scenes in recent Boston comedy history. Hansen calls it “an inclusive and inspired community.”

Of course, that was never Hansen’s main gig. He plays in a band called The Grownup Noise, which will celebrate the release of its second album, This Time With Feeling, tonight at the Middle East Downstairs with Kingsley Flood, Spouse, and Joe Fletcher & The Wrong Reasons. The whole band has joined in on the fun at times. Hansen and bass player Adam Sankowski played Chris Coxen’s farewell show in February. The whole band used to rock out behind The Walsh Brothers for their tribute to the Fung Wah.



Hansen finds there is a certain camaraderie between the music and comedy scenes in Boston. “I think there's a lot of mutual respect between the two,” he says. “Comedians respect musicians because they think they get laid all the time, and musicians respect comedians because it's so impressive to take on a crowd without the protection of an instrument or band."

The Grownup Noise made its mark in 2008 with its eponymous debut album, a dreamy mix of progressive indie pop, folk, and rock. It’s a sound that’s hard to easily categorize, even for Hansen. "You know we feel that might be our biggest weakness, or strength," he says. "We see ourselves as somewhere in a gray area, between Indie and Americana/Folk. I like to think we're the missing link between the two, but yeah it's been difficult to figure out how to promote ourselves."

The line-up has changed slightly, with a revolving drummer’s chair, but the core remains Hansen, Sankowski, and cello player/singer Katie Franich. They’ve gone the DIY route, driving themselves across the country and back on tours they booked themselves. That experience has made its way into the music. “We've gained some confidence, as well as some scars from touring the country several times," says Hansen, "so I think we're bringing a lot more life into this record."



Feeling picks up where the first album left off in terms of the quality and power of the songwriting. Many of the songs, like “Carnival” and “Just So You Know,” have been staples of the band’s live shows for the past few years, but they’ve added a few twists in the studio. “We definitely enjoy adding little things to the recordings that we can't necessarily get away with live," says Hansen. "For example, the mellotron and Wurlitzer are beautiful instruments, but can be a real pain in the ass to deal with in a live setting. Vintage instruments have a lot of ghosts inside of them."

Hansen is an evocative lyricist, but his songs don’t always follow a linear narrative logic. You get the feeling there are stories behind everything, but you are often left to your own imagination to fill in the blanks. “I'd say about half of the songs come from specific experiences and half come from me trying to get outside of myself and just explore a sentiment or imagery,” he says.

The Grownup Noise is a band on the rise, and they’re excited to be headlining the Middle East Downstairs, one of the premiere rock and roll rooms in Boston, and one with a lot of history. So where do they go from here? “That's a damn good question,” says Hansen. “I guess continue to write and hope that someday a hip Indie label will swoop in and help a brother out. That's if we can convince them were not too folky…"

The Grownup Noise CD Release Party: 8PM, $10. With Kingsley Flood, Spouse, and Joe Fletcher & The Wrong Reasons. The Middle East Downstairs, 472 Massachusetts Ave, Cambridge, Ma. 866.777.8932

Friday, December 17, 2010

Summer Villains want a zoo for Christmas

I Want A Zoo for Christma
If you're looking for some good-natured musical Christmas cheer, take a look at Summer Villains' "I Want A Zoo for Christmas." The Villains cut a Christmas album with another Boston band, Three Day Threshold, called Christmas + Holiday Songs Volume 1, which you can download from this site. Also on that site is the video in Quicktime for "I Want A Zoo for Christmas," just in case you're reading this in on iPad and you can't use Flash to see the video below.

The video is really well done, and, if you're wondering, suitable for all ages. And if you want to see them perform it live, come out to the Tavern at the End of the World tonight for the Summer Villains Christmas party. I will be there doing a quick guest spot playing my own Christmas song (which is not particularly funny).

Thursday, October 28, 2010

The Ego and the Oracle tonight at the Burren

The Ego and the Oracle tonight at
The Burren in Davis Square
The Ego and the Oracle is unlike any show you'll see in Boston. That much is clear as soon as you walk into the Burren's back room and the the stage. On one side, there is a band, Jim's Big Ego. On the other is a man seated next to a box for questions. Behind them both, a giant wheel with, as we soon learn, the names of different Jim's Big Ego songs.

The process is this -- audiece members put their questions in the box, host Shawn Peters picks one, and the audience member who asked it comes onstage and spins the wheel. Jim's Big Ego plays the song, and Peters interprets why the song answers the question through the mysterious "Oracle."

It's a funny show, both because the man with the questions Peters is adept at fielding the questions from the audience, and because Jim Infantino's songwriting is as witty as it is tuneful. Which is why it's also a great concert.

I caught up with Infantino and Peters on camera at the last show. The next one is tonight at the Burren, and the next one after that is December 2. Here's a bit of how it works, followed by an interview with Infantino and Peters.

Answering the question, "Parakeet?"


All questions answered in the end:


The Interview

Saturday, October 16, 2010

Newton and Precious Saltwater attack the Web

Newton and Precious Saltwater at
The Gas November 5
Newton and Precious Saltwater aren’t new to Boston audiences. They have brought their good time variety show to ImprovBoston and Mottley’s, singing and arguing and trying to spread the Good News in there somewhere.

They will be back in front of local audiences on November 5 as part of the Boston Comedy Festival playing The Gas at Great Scott in Allston. In preparation, they are starting to get their act together. They just launched their own blog, over at TheSaltwaters.com, and have posted their first podcast, an interview with Gas host Rob Creen.

Also fresh today, they have posted a new song, “Don’t Touch My Hair,” about the difficulties in looking good in Allston. Or at least that’s what I took out of it. You can read the lyrics and listen to the song here.

Saturday, March 13, 2010

Local Music: Danielle Doyle and Joy Kills Sorrow CD release shows tonight

Most of you will probably be out watching comedy tonight. But if you’re more in the mood for some good local roots music, there are two CD release parties going on you’ll want to consider.

The first is Danielle Doyle, who celebrates the release of her debut CD, The Cartographer’s Wife, at the Lizard Lounge with guests Flightless Buttress, Garlic & Moonshine, Beth Colegrove, and Meg Smallidge, all of whom played on the album. (Note – if you miss her tonight, make sure to get out to the Burren on April 18 when she plays the Sunday night singer/songwriter series hosted by Danielle Miraglia, or, if you’re further north, catch her opening for Loudon Wainwright III in Portland, Maine on March 26).

Doyle has paid her dues studying at the Passim School of Music and interning in the music industry, while gigging around town and writing her own ethereal alt.country repertoire. She lists Iron and Wine, Neko Case, and Gillian Welch as influences, and you can hear different elements of those artists pop up on Cartographer, especially the nourish “Sky,” which would slip easily into a set of Case’s first few albums. If you’re a fan of that genre, you’d be doing yourself a favor to familiarize yourself with Doyle’s music.

The second is the Boston-based bluegrass band Joy Kills Sorrow. They’re at Club Passim tonight touting their second album, Darkness Sure Becomes This City, which was officially released February 23 on Signature Sounds (home to Peter Mulvey, Patty Larkin, Erin McKeown, and Kris Delmhorst). JKS immediately brings to mind Alison Krauss and Union Station, mostly because of Emma Beaton’s smooth, dreamy vocals.

While the overall sound is mellow, there’s a lot of active flatpicking going on with guitarist Matthew Arcara (winner of Winfield’s National Flatpicking Championship in 2006), mandolin player Jacob Jolliff (who studied his instrument on scholarship to Berklee), and banjo player Wesley Corbett (who has toured with Crooked Still). Bassist Bridget Kearney does more than hold down the root – somehow, in the midst of all that picking, she manages to find melodic, flowing basslines. A talented outfit from top to bottom.