Barry Crimmins is back in town today for a run of shows, including the Roast of Barry Crimmins, part of the Boston Comedy Festival schedule tonight. A bunch of Crimmins' old friends, and a few newer ones, will be on hand at the Charles Playhouse Lounge for that, including Steven Wright, Steve Sweeney, Jimmy Tingle, Tony V, Dan Wasserman, Mike McDonald, Niki and Lainey of The Steamy Bohemians, Randy Credico, Billy Bob Neck, and John Ennis. Before that, though, he'll be out at Occupy Boston at 4PM to address the crowd.
On Saturday, you'll get to see Crimmins at his best, doing a headlining set at the New England Folk Music Archives in Somerville, at the Arts at the Armory Space on Highland Ave. That show is the official kickoff of Crimmins "Occupation: Occupation" tour. It'll be his first full-length show in Boston since last year's shows with Erin Judge and Dennis Perrin at Mottley's. Billy Bob Neck and Tim Mason are also on that bill.
And if you want to see Crimmins one more time before he heads out of town, he's part of a phenomenal bill for the Friend of Mine: Tribute to Bill Morrissey show at the Somerville Theatre on Thursday, November 17. I'm not sure if this is the complete line-up, but so far that show will include Peter Case, Shawn Colvin, David Johansen, Mark Erelli, John Gorka, Peter Keane, Fred Koller, Cormac McCarthy (the musician), PAtty Larkin, and Pete Nelson. The night will be hosted by Cliff Eberhardt and David Dye. Mr. Morrissey died of heart failure in July. It's easy to see his influence, as a musician and as a friend, just by looking at that list.
We're lucky to have Crimmins for so many shows, and that he's still standing to do them after a recent accident precipitated by his dogs, Lettie and Lu, trying to draw and quarter him on a walk near his Upstate New York home. Here's Crimmins' recounting of that story, and a bit more about the shows, from his blog.
For a half an hour at Giggles last Monday night, the biggest comedians in Boston busted Ken Rogerson’s balls. Not to be outdone, Rogerson then busted his own. Literally.
Let me back up. This is a story of a random act of kindness in the local comedy community, a galvanizing moment you don’t often see publicly. Rogerson had no transportation to gigs. And probably more importantly, he has always wanted a Harley. He rode them as a kid, and on the set of Rescue Me a few years ago.
So Mike Clarke, brother of Lenny and and a few other comedians hatched a plot to pitch in and buy the Harley for Rogerson and surprise him with it.
All told, forty-two people, most of them comedians, chipped in about $100 apiece to buy the bike. They then rolled it into Giggles Monday night and filled the club with Rogerson’s friends, including Steven Wright, Lenny Clarke, Tony V., Mike McDonald, Steve Sweeney, Don Gavin, Jimmy Dunn, Jim McCue, Joe Yannetty, Robbie Printz, Dave Russo, Johnny Pizzi, and Brad Mastrangelo.
Rogerson was told he would be playing a charity gig, making $300. He was legitimately shocked when he walked in and saw the room filled with his friends and a Harley on the stage. Rogerson is not often speechless, but he was, at least for a few minutes, when Lenny, dressed in a hat he swiped from the corpse of Carnac the Magnificent, led him up to his bike and old him what was going on. You can see that on the videos.
You can also see that the evening quickly turned into an impromptu roast. As Wright was talking about Rogerson, you can hear Gavin shout, “Did he die?” Mike McDonald said this was the kind of gift anyone would want to receive, and wondered why the hell it went to Rogerson. McCue had one of the best lines of the night when, pushed into speaking, he took the stage and said, “This is the strangest way to tell someone they have cancer.”
Once everyone had a turn taking shots at Rogerson, everyone gathered for a group photo, and filed out to watch Rogerson start up his new toy. Rogerson was beaming out in the Giggles parking lot, posing for photos, feeling the bike roar. He then let out the clutch and the bike lurched, and a surprised Rogerson sped about ten feet into Sweeney’s Lexus, the only thing between Rogerson and busy Route 1 traffic.
Some of Boston's best pay tribute to Rogerson.
Rogerson crumpled to the ground, holding his head, and stayed still for a long moment. As I said when I wrote a short bit about this for the Globe, most of the comedians waited until it was clear Rogerson was more embarrassed than actually hurt before laughing. Most of them. Rogerson escaped with a few scratches, as did Pizzi, who had to leap out of the way. Sweeney’s Lexus was also unharmed, which made him wonder why they didn’t get Rogerson one of those instead of a bike.
Just as Rogeson lets out the clutch, he ages 30
years. This photo is not retouched in any way.
Afterwards, when Rogerson asked if Pizzi was okay, Pizzi asked if he were insured yet. “Because I’m suing,” he said.
“Johnny, everything I own is at George’s, stop by and pick something out,” said Rogerson. “It’s all in one room.”
Everything was a surprise to Rogerson. The bike itself, his friends, and how light the clutch was. It was hard to keep everyone quiet, but Rogerson said he didn’t suspect a thing. “I had no clue,” he said. “I have no words. Who expects this? And who expects to crash it the first thirty seconds? They had to tell the story about the ‘Rescue Me’ tour. It’s my second time crashing, and my third time on a bike in forty years. I’m embarrassed as hell.”
Rogerson, McDonald, and Sweeney after the crash.
Rogerson was happy Pizzi was okay, and that Sweeney’s car was fine. And he was clearly touched by his friends’ generosity. He’s sure he’ll get over the embarrassment quickly. “It’s not like it’s the dumbest thing I’ve ever done,” he said. “You’ve heard the stories from the 80s.”
Boston comic Paul Keenan bested a field of about thirty comics at the Plymouth Rock Comedy Festival Comedic Contest last weekend (Chris Tabb took second, Aaron David Ward third). That's a fine feather in your cap. I'd say Keenan got one better accolade, though.
When WickedLocal.com wrote about Keenan, they included this quote from one of the masters, Steven Wright, "Hilarious. I tried to remember a joke he did so I could tell him I liked it, but then he'd do another one that was funnier and I forgot the first joke I wanted to mention to him. Then it happened again and again."
Lucky you, if you want to see what Wright found so funny, you'll have your chance tonight at the Kowloon on Route 1 in Saugus. Keenan is on the bill with headliner Jimmy Dunn (the cab driver in the Olympia Sports commercials, for the uninitiated).
I am back in the Boston Globe today interviewing Steven Wright about his show tonight at the Wilbur Theatre Comedy Connection, the benefit he's playing June 14 at the Ahavath Torah Congregation, the synagogue of his friend and longtime opening act, Bob Lazarus, who died in January. You can read the interview here.
Here are a few bonus questions, most of which didn't make it into the final Q&A in the Globe.
Can we look forward to I Still Still Have a Pony in 23 years?
Did you put two “stills” in there? That’s good. I wasn’t sure what I would name the next one but now I think you’ve nailed it. Maybe I Had a Pony.
And make people wonder, what happened to the pony?
All these titles about the pony, and then the pony’s never mentioned.
“We don’t like to talk about what happened to the pony?” That’s probably too long for an album title.
That’s funny. “We don’t like talking about what happened to the pony,” that’s the title? That’s good.
Are you thinking of doing another album or special soon?
No, not soon. Just touring, building up material on the road and stuff.
Where do you try out new material these days? Is there anywhere you go to work out?
When I’m the road I can just try it during my show. I went to the Laugh Factory last week, that’s a club in Los Angeles, trying to figure out the Letterman material [his appearance airs June 5]. Sometimes I’ll go into a small club and sometimes I’ll do it during the show.
I know you would sometimes drop by the Comedy Studio or the old Connection here.
Yeah, yeah. I haven’t done that in a while. It’s too bad the Connection moved. That was a good room.
Do you get down to the clubs at all, even just to watch?
Occasionally, I might go to Giggles, because usually some of my friends are playing there. I’ve done some short sets in there, too. I like that place.
Steven Wright has just announced a new show at the Comedy Connection Wilbur Theatre May 29. Tickets go on sale Friday.
And if you want to see Wright before then, here are a few clips of his recent guest spots on the Late Late Show with Craig Ferguson. He's been popping in unannounced lately, for a few hilarious bits.
Here's the cold opening from March 31, when he did the cold opening instead of Ferguson:
Here's the panel segment from that same show:
Then on April 2, he showed up again for another cold opening, this time with Brittany Murphy:
Also, Louis C.K. will be taping his next one-hour special in Milwaukee at the Pabst Theater April 18. C.K., who recently taped a marathon show at the Orpheum here in Boston for a possible CD release, will tape two shows at the Pabst, at 8PM and 10:30PM, from which he will cull his next one-hour special, his third in three years.
This was a year of transition for the Boston comedy scene. The Comedy Connection left Faneuil Hall for the Wilbur. Mottley’s Comedy Club opened to give Faneuil Hall a different, more indie-driven vibe. The Comedy Studio kept chugging despite losing staples like Micah Sherman and Myq Kaplan to New York. Dick Doherty stepped up his programming at the Vault.
There were rumblings about what would become of the scene, the usual concerns about hemorrhaging talent to New York and Los Angeles and speculation about the club scene. But at it’s base, this scene isn’t about the clubs. Never has been. The clubs, like the old Ding Ho and Catch a Rising Star, and more recently the Connection and the Studio, are just the facilitators. This scene is about the comedians, and from what I’ve seen over the past decade covering comedy in Boston, this scene will never lack for good comedians.
Nine years ago, I saw the Ding Ho reunion at the Somerville Theatre. I had been in town for about a year, and seen a few shows, but really hadn’t gotten my feet wet in the scene yet. At that reunion, I saw Bobcat Goldthwait, Steven Wright, Barry Crimmins, Jimmy Tingle, Don Gavin, Steve Sweeney, Lenny Clarke, Mike McDonald, Tony V., DJ Hazard, and probably twenty other comics whose roots were firmly planted in Boston.
It was an amazing array of talent, and an exhausting night as comic after talented comic took the stage. People took turns hosting just to get through it. You can read about the history of this scene all you want, but seeing wave after wave of comics of whom I was already a fan and hilarious veterans I had never heard of drove home just how rich the Boston comedy scene is, how deep its history. And the fact that I had laughed for more than three hours was proof this wasn’t just talk – these people were funny, and there seemed to be an endless supply of them.
A few weeks ago, I saw a lot of the same people at Showcase Live when Steven Wright was introduced into the Boston Comedy Hall of Fame. Crimmins gave us a glimpse into what it’s like to tour with Wright (Theme song --- “No Woman, No Press Charges,” and tequila and acid were staples, acid for the audience so they’d better understand the show). Bob Lazarus had the best set I’d seen him do. Ken Rogerson, Tony V, Don Gavin, Jimmy Tingle, Steve Sweeney, Lenny Clarke, Mike McDonald – the audience knew and cheered every one of them. They were old friends, a constant in an ever evolving city.
A few days later, the Paradise Rock Club hosted Robby Roadsteamer’s Greater Boston Alternative Comedy Festival. Roadsteamer had assembled some of the best of a new wave of Boston comedians. You can debate the term “alternative” if you’d like (in an awkward moment waiting for a sound cue that seemed like it would never come, host Shane Webb questioned alternative – “It just has to be weird, right?”). You can say it’s a false category, call it pretentious, however you perceive it. But what you can’t do is apply that old chestnut that it’s the “alternative to funny.”
Character comic Chris Coxen showed off his “combat dancing” as Danny Morsel (a mix of disco and punching and kicking) and his smoothness as loungemaster Barry Tattle. Mehran, who I was seeing in person for the first time, had a powerhouse set about being both gay and Iranian (the man is not shy about mining either for laughs). Bethany Van Delft was cool and intellectual, the Walsh Brothers told their wild stories about adjusting to LA, Anderson Comedy sang of Christmas with no pants. Shane Mauss pulled off a neat and seamless set of stand-up with a cell phone sketch sown in. And Roadsteamer clearly had the crowd behind him during his set of musical diatribes about the Boston comedy and music scenes, with help from a couple of muscleheads on my favorite of his tunes, “I Got Construction Boots.”
Two shows within three days of each other. Boston veterans, and a new generation of Boston comics. Whatever else might be in transition, the comedians are here, old and new, and they both have helped me laugh my ass off for nearly ten years. And there are continuing efforts to bring the two worlds together. Mottley’s approach to booking has allowed Shane Mauss, veteran Patty Ross, and Baron Vaughn (back home from New York) to headline. Artie Januario hosts a Wednesday night open mic at Giggles that regularly attracts veterans like Tony V (watch for that to start up again January 21).
My hope for 2009 is that people go out to see these comedians, and realize how lucky they are to live in a city where comedy never dies. And you don’t have to go very far to find it.
There is a hall of fame for just about everything these day. Every sport has one, every form of music. So why not Boston comedy? Boston City Councilor John Tobin asked a similar question in a conversation with his friend, Spark Capital’s Todd Dagres. The two decided to create the Boston Comedy Hall of Fame, which will induct its first member, Steven Wright, at a local all-star ceremony at Showcase Live on December 15.
Wright was an obvious choice. The Boston scene was already swinging when Wright made his first appearance on “The Tonight Show starring Johnny Carson” in 1982, but his obvious talent led people to start looking for talent here. And since Tobin was looking for a comedian who “has made significant and lifelong contributions to the art of stand-up comedy,” Wright was perfect. “That was easy and unanimous,” he says. “Steven Wright is the obvious first choice in a long line of future inductees.” He adds that if Wright hadn’t agreed to it, they wouldn’t have gone forward.
The line-up for the show reflects Wright’s importance in the Boston comedy community. Tony V. will host the ceremony, which will include performances by Don Gavin, Barry Crimmins, Steve Sweeney, Mike Donovan, Mike McDonald, Lenny Clarke, Ken Rogerson, and Jimmy Tingle, with a video from “When Stand Up Stood Out” director Fran Solomita.
For now, there will be no brick and mortar Boston Comedy Hall of Fame, but Tobin says he “would love to see it at some point be a part of a larger complex dedicated to the history of Boston entertainment.” Wright will receive an Oscar-sized statue (to go with his actual Oscar) called the Thomas Wignell Award, named for a 19th century actor considered by some to be the first stand-up comedian.
Tobin, a co-founder of the Boston Comedy Festival, has always been a comedy fan and looked for ways to contribute above and beyond his duties as a City Councilman. “It’s just something that I have always been passionate about,” he says. “Comedy has had a big role in shaping me and I have nothing but admiration for the men and women who work hard and lend their voices to making people laugh and think.”
Tobin and Dagres have set up the project as a not-for-profit under the banner of “Stage Source,” which will set up a fund for comedians who fall sick and need assistance. Tobin is the executive director and Dagres is the president of the board, which Tobin expects to expand after this year’s ceremony.
