Showing posts with label one-man show. Show all posts
Showing posts with label one-man show. Show all posts

Thursday, February 25, 2010

U.K. comic Martin Plant makes his U.S. debut at Mottley's

Martin Plant makes his U.S. debut with a high standard to meet. The U.K. comic points out on his MySpace page that, “I owe being able to do what I do to those who went before me, Lenny Bruce, Richard Pryor, George Carlin, and many more, and Id be an asshole if I let them down.” Plant brings his one-man show, “Leading the Horses,” to Mottley’s Saturday, his first performance in the States. I caught up with him by e-mail to ask about the show, his U.S. tour, and his influences.

How did you put together the U.S. tour?

I started out with material I knew would work internationally, topics like: People, Drinking, Laws, Religion. Things that we all deal with everyday no matter where we are from on the planet, really. Then I took a few months and looked at American life, the things that you guys go through, and wrote solidly for about 3/4 months for the material. Then over the years I've gained fans across the US so I'm taking the tour to them really, playing the big cities and places they're from.

How did you know Mottley's?

I didn't know much of Mottley's to be honest, but when I was looking for a good club in Boston, the same name kept coming up, so I got in touch with Tim (McIntire) and he has been an utter champion, he was really passionate about putting on the show and has really been working hard to get the night all up and running, promotional stuff, etc. And I'm really happy he's doing to be doing a set on the night.

What are your expectations of American audiences? Is there a specific sense of humor you associate with the States?

I've been asked this a lot, and for the most part, funny is funny wherever you go. America is different in the way that humor differs on a nearly state by state basis, what works in New York, wont go down so well in Memphis. What's hilarious in Nebraska, different again in LA. I think that in America, like most places, it boils down to whether you want to hear alternative or mainstream comedy. Sort of the HBO vs Cable argument, you either want quite safe jokes and innuendos or you want to hear a comic take on riskier things and say the word "Fuck".

Have you gotten any advice from other UK comics about trying to tour and build an audience in the U.S.?

I've had some advice from a few friends who have made the jump over here and the constant theme simple seems to be "Be Funny!" also they told me to remember to drop the "Britishisms". It's odd, but words I've said near daily for 20 odd years means nothing or something different over here. I was out having some drinks over here with a few friends and as the night wore on I said "I'm pretty pissed, so I'm gonna go home" they were trying to understand what had upset me, and "Pissed" to me means drunk.

How is "Leading the Horses" different from a typical stand-up show? What makes it a one-man show?

In my mind, the show is different because I'm trying to make a point. I'm not doing Mother-in-Law and dick jokes, I'm hoping to use humor to show what I feel are some really messed up things about the world. The title comes from the old expression, "You can lead a horse to water, but you can't make it drink" and that's what this show is, my view on the world, presented in a funny way. You may agree, you may not, but hopefully you'll laugh a lot.


Me at Squirrels Comedy Club 22/9/07

Martin Plant | MySpace Video


You mention that you are inspired by Carlin, Pryor, and Lenny Bruce, and "I'd be an asshole if I let them down." How do you know if you're living up to that?

It's all mental as far as that goes. The thing that links them all is that they all did material that was viewed as offensive and against what people knew as safe, but when you looked at it, they were all very cleverly showing people their own pre-dispositions and hang-ups. And in the case of Lenny Bruce, he died for other comics to have the right to free speech, and I compare myself by when I get some material that touches on a subject that people may flinch at, not running from it, but making it accessible and staying true to my own vision.

Other than Pryor, Carlin, and Bruce, what comedians influenced you?

Doug Stanhope should be far more well known that he is, he's probably the best stand up working today, but because of some of his topics, he doesn't get as much exposure as he should. Lee Evans had a lot of influence on me too as he was the first comedian I went to see live and it made me want to start doing comedy myself. Eddie Izzard deserves a lot of recognition too, he is a very intelligent and funny guy who was true to himself throughout his career.

Did you see a difference between American and English comics when you were starting out?

To be honest, the amount of US comics has increased a lot, but when I was starting out, there were only the really big names that made is across the pond, Carlin, Chris Rock, Jerry Seinfeld, etc. But they were always much more confrontational, whereas British comedy was always more analytical and self deprecating.

What made you pursue comedy seriously?

I started out doing acting, and I found that I always wanted the comedy roles, and I'd ad-lib certain bits and want to re-write them to make them funnier, and I soon realized I wanted the laughs more then I wanted to be acting. And I went to a stand up show with a friend who bet me I could do it too, so I called a local comedy club and it was there I knew this was wanted to do with my life. I did many years of working a full time job then going off to gig at night and sleeping on a couch or a floor, so once I earned enough to go full time, it seemed the natural progression.

Thursday, October 22, 2009

Ken Reid makes Music To My Years tonight at Mottley's

In a post-apocalyptic world, Ken Reid is the guy you need to preserve to remember all of human history. Well, maybe not all of it, but certainly anything to do with modern movies, music, or television. I have often told Reid about some obscure movie I saw on a Sunday afternoon, something I watched for a laugh, just to have him tell me when he saw it in the theater during its original run. Far from just parroting this stuff in his stand-up act, Reid makes it all personal, and hysterical. Tonight at Mottley's Comedy Club, he presents his third one-man show, Music To My Years.

You’ve talked about TV (A Very Special Episode) and movies (Cusack Attack), does a show about music complete the circuit for one-man shows for you?

I was actually thinking about this yesterday, when I first started writing the first show (Cusack) I thought that this would be the trilogy and that it would pretty much cover everything. Lately though as I've sort of been finding a good rythem with these shows I think there's a couple more in me. I was thinking of stories I have about slightly larger topics like school, horror and work and I think I could probably work shows around those topics.

Just how personal a subject is music for you?

Like most popular culture, it's very personal for me. But I think music is personal for most people even if they don't realize it. I tie a lot of my memories and specific times, places and events to specific songs. Songs act like pnemonic devices in a lot of ways for me. I spent most of my teen years in rock clubs and reading about music and hunting down records so it was a major part of my formative years. The first real experience I had with business and performing was all music as well even though I am in no way shape or form a musician. But I think if i hadn't been in a band, I probably wouldn't be doing stand up comedy now.

Would you consider yourself a music snob? Is there a style or genre of music at which you turn up your nose?

I am a music snob. But I don't think there's a genre I dismiss or turn my nose up at. Actually that's not correct. Reggaton.

Will you be playing music or videos for illustration at this show?

I always do a power point slide show with these shows. I feel like it adds some jokes and also keeps people from getting bored of me talking for an hour and gives them something to look at other than my mug. There will be some music involved with this show. I was going to include some video footage of my old band but decided against it, people can look that stuff up on Youtube after if they want laugh at my expense.

You’ve had brushes with a lot of notable musicians – how do you wind up coming in contact with these people?

That's a question I ask myself a lot. I've somehow managed to encounter a lot of "celebrities" and gotten myself into some strange situations over the years. I think most of it is just dumb luck. Some of it was just the company I kept and the places I was hanging out. The band I was in did fairly well locally and a lot of our peers got very big, so that helped. I also worked at a radio station in college which helped. I actually cut a few stories out of the show because even though they were true I thought they were so weird that people wouldn't believe me.
Will you be doing this show anywhere else? Or bringing back any of the other shows?
I'd like to. The other two shows I performed at some colleges and out of state a couple times. I'm hoping to take one of the shows down to NYC at some point.
I would be remiss in ignoring Halloween in this interview – what would be your top couple of recommendations for Halloween movies for comedy fans?

Night of the Creeps - All time horror/comedy classic, comes out on DVD (finally) on 10/27

Saturday the 14th and its sequel Saturday the 14th Strikes Back - Weird "kitchen sink" Mad Magazine type horror spoof comedies, I don't know why but I have a soft spot for them.

Neon Maniacs - Not an intentional comedy by any means, but one of the weirdest movies I've seen. the village people of monsters live inside the Golden Gate bridge and terrorize teenagers, also the monster dissolve in water.

Soulkeeper - Just checked this one out, it's from 2001, sometimes it tries a bit too hard with the comedy, but most of it works, and it has a Debbie Gibson cameo.

The Pit - You'll laugh watching it, because your mind needs to defend itself.